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KRATEO SetMaster
Mastering for DJ sets

Every drop of your set lands at one level.

The mix is done. This is the finish: every drop lifted toward your loudest. The automation proposes every gain. You keep the last word.

Master a set
Free
The first 60 minutes, as MP3.
Paid
From €2.99 a master of up to 4 hours, as WAV.

No account, on every plan.

Levelled for where it lands, not where it was mixed.

A track sounds a certain way depending on the system you mixed on: a club system with a heavy low end made the bass-heavy tracks feel too big, so you pulled them down. In that room, the right call. Then the set leaves, for headphones, a car, somebody's laptop. The room stays behind. Your corrections travel with the file. SetMaster levels the set for wherever it plays next. It does adjust the gain but won't alter the sound.

Pull the fader. Watch thirty-eight drops line up.

A fader, not a processor. A real 57:42 set: its loudness, drop by drop, in the lane above, and the gain that levels it in the lane below. One gain per drop, nothing more. Both are yours to move: pull the fader, drag the window.

100%
Window 0:00 to 10:00 of 57:42 Drag the window, click beside it, or use the lane's arrow keys · hover a drop, or tab to the gain lane, for its gain
Job 07c57218 · a 57:42 set · delivered at pull 100%
38drops found
+3.00dBlargest lift
0.02dBspread on the master
Gain onlyno compressor, nothing clipped

A set is not a track.

  1. 01Track mastering

    ONE MIX COMPRESS LIMIT EQ FINISHED TRACK LIMIT LIMIT

    Changes the sound. It compresses, limits and shapes the tone of one mix until the track is finished.

  2. 02A set

    THE TRACK FROM 01 EACH AT ITS OWN LIMIT

    Strings finished tracks together, each mastered already, at its own level. Limiting them again would be damage.

  3. 03SetMaster

    GAIN TARGET · THE LOUDEST DROP LIFT ONLY. NOT MASTERED AGAIN.

    Lifts each drop toward your loudest and carries the gain through the breaks between them.

What sets it apart

Your breaks stay breaks.

An automatic gain lifts whatever sounds quiet, and a break sounds quiet. SetMaster hears the whole set first and finds the drops, so the gain holds through each drop and carries across the break.

Automatic gain

The break comes up and the drops pump. The space you built disappears.

SetMaster

Each drop is lifted as one, and the gain ramps in between.

Machine learning does one job here. It finds the drops.

That pass over the whole set is where the compute goes. Everything it marks is a proposal: drag a boundary, set a gain by hand, add a drop it missed. The gains themselves come from measurement and maths.

drop drop drop drop DRAG A BOUNDARY SET BY HAND + ADD A DROP IT MISSED

The whole pass.

Seven steps from upload to inbox. Two of them are yours, and nothing hides behind a single Master button.

SetMaster

  1. 01 Upload WAV, MP3, FLAC, AAC or M4A, up to four hours. Untouched.
  2. 02 Analysis Drops and breaks found. Loudness and true peak across the file.

You

  1. 03 Edit Trim, cut, fade, EQ, pan. Adjust any drop it proposed.
  2. 04 Pull How far drops move toward the loudest.

SetMaster

  1. 05 Levelling One gain per drop, ramped between. Measured after your EQ and pan.
  2. 06 Ceiling True peak to -1 dBTP, headroom for what a lossy encode adds.
  3. 07 Delivery Encoded, tagged, emailed, as WAV or MP3.

Try it

Hear it on your own set.

Free
The first 60 minutes, as MP3.
Paid
From €2.99 a master, or €4.99 and €9.99 a month. WAV, and MP3 on request.

No account, on every plan.

Master a set